![]() ![]() This will allow you access to the generator but don’t go in yet. To your right there is a weird black patch on the wall that you can break through by throwing any object at it. Go over to the fence and pull the chair away from the door to go into the next area. This will reveal another room with a fence. There is another grate here that you can open with a switch. This portion of the basement is pretty spacious but you’ll need to go over to the area with a red lightbulb and creepy puppet. There is a wall switch you can use to open up a grate and go into the next area. Pull one of the paintings of an open window off the wall so you can leave the room and explore the rest of the basement. Open it and use the secret entrance you’ll find here to make your way into the next room. Go inside the basement and find the washing machine. Creep your way down to the main floor, being sure to avoid the neighbor, and use the red key to the open the basement. Jump down into the room and grab the red key that’s sitting on a green table. Climb the ladder and follow along the roof until you finally reach a hole that lets you see inside the house. Grab the wrench and then go back outside to where you were when you first stole the lock pick and use the wrench to gain access to the ladder that is being blocked off. Once you’re inside, go to the hallway and use the lock pick to open the door to the left of the staircase, which will allow you to actually enter the shed you just snagged the lock pick from. The window is already open so no need to grab any items to try to break into the home with as long as you still have the lock pick on hand. After you have successfully grabbed it, go to the window on the side of the house that has a black wire coming through it. It honestly doesn’t look quite like a lock pick from afar but just trust us that the weird white tool next to the pot of glue on the top shelf is actually a lock pick. Use the magnet to grab the lock pick off the shelf. Use the boxes in your inventory to climb on top of and reach the the small window right next to this. Pick up some more boxes and go to the back of the house where you see a ladder that’s being blocked off. This key opens the trunk to the red car in the neighbor’s yard. Now turn to your right and pick up the red key that’s hanging on the wall. Grab the gold key and unlock the door next to it. Throw any object in the room at this and it will reveal a secret entrance into the purple room. When you’re inside the room, you’ll notice a painting of a flower on the wall next to the door. Keep in mind that you can wait to break the window until you are on top of the roof (sometimes objects can be a bit wonky to keep control of up there). Now just leap across the roof and into the window that you should have broken open earlier. You can hop on top of the shelves with a good running start and then use the boxes in your inventory to give you the final added height you need to get on top of the roof. Now make your way to the yellow shelves that are leaning against the house to the left of the front door. This will be the window you will end up climbing through. Before you climb the roof, toss something through the upstairs window to the left when facing the front of the house. Make sure you have at least two boxes in your inventory and something that you can throw to break a window before you head over to the neighbor’s house. ![]() There are also boxes in the neighbor’s yard that you can use, but grabbing these does put you at risk that he may spot you through the window. You’ll keep these in your inventory so you can use them to get on top of your neighbor’s roof. Find your way to the closet underneath the stairs in your home to grab some boxes. You may be tempted to immediately start creeping around your neighbors home but you should start by focusing on your own house instead. Your main objective in Act 1 of Hello Neighbor is to get your hands on the red key. ![]()
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![]() ![]() Where they do work is in broad comedies where there is an identifiable African American star, such as Eddie Murphy, Martin Lawrence or Chris Tucker. ![]() John Singleton’s “Boyz N the Hood” was able to cross over, but few movies do. They know that black-themed movies can readily draw huge crowds from African American communities-"Waiting to Exhale,” for example-but these films rarely capture the “crossover” white audience that is crucial in turning a moderately successful film into a blockbuster. Over the years, studios have produced a steady diet of “niche” films targeting demographic markets such as African Americans. Any movie that reflects that-and it doesn’t mean they’ll all be hits like ‘The Fast and the Furious'-will ring true with the audience.” Marc Abraham, one of the producers of “Bring It On,” noted: “There is a much more interracial aspect than the way this country used to be. ![]() We live in Santa Monica next to the Palisades, and we’re very aware of Pali High and busing kids in from all over L.A.” we wanted to tell a good story reflective of teenagers across the country, but also specifically about Los Angeles. “I think we live in a multiracial world, and we want to make movies everyone identifies with,” Mary Jane Ufland said. Ufland, who along with Rachel Pfeffer produced “crazy/beautiful,” say that today’s youth increasingly see the world as colorblind. ![]() neighborhood who falls for a troubled girl from affluent Pacific Palisades. Touchstone Pictures’ romantic drama “crazy/beautiful,” which opened Friday, deals with a Latino boy from a working-class East L.A. This picture is not an ‘ethnic’ movie, it’s an everybody movie.”Īttracting a young audience across the country-a mainstay of big summer popcorn hits-"The Fast and the Furious” has grossed an estimated $78 million in less than two weeks and is on track to make well over $100 million. “If that had been 80% ethnic and 20% white, that is not what we wanted. “I look at this and go, ‘This is exactly what I’m talking about,’ ” Cohen said. Cohen said surveys taken at theaters where “The Fast and the Furious” played showed that 50% of moviegoers were white, 24% were Hispanic, 10% were black and 11% were Asian. When the movie opened, it drew a cross-section of races. Rob Cohen, who directed “The Fast and the Furious,” said the film not only reflects today’s “multiculti” youth culture without purposely drawing attention to it, but depicts what is really going on. Hollywood likes to pride itself on being ahead of the cultural curve, but with last summer’s sassy white-versus-black cheerleading comedy “Bring It On” grossing $68.4 million domestically and this winter’s “Save the Last Dance,” with its once-taboo interracial dating, raking in more than $90 million in North America alone, the studios have only begun to catch up with the colorblind nature of today’s MTV generation. If there’s something that I’ve been through, then, yeah, I’ll go.” “I don’t want to see ‘Clueless,’ ” he said, recalling the 1995 Alicia Silverstone teen comedy set in Beverly Hills. He wouldn’t go to primarily white teen movies like “She’s All That,” Mejia said, because he doesn’t relate to white kids trying to act “hard” like their Latino and black peers. With their ultra-baggy cargo shorts, doo-rags wrapped around their heads, and bodies festooned with tattoos and piercings, the look of these young moviegoers mirrors the multiethnic melange of actors on the screen.Įsteban Mejia, 20, of east Hollywood, who wears long shorts and a diamond stud and hoop “cartilage pierce” in his left ear, said the racial diversity of the movie has a distinct appeal that most mainstream movies don’t have. With its relatively unknown cast of whites, Latinos, Asians and African Americans, heavy doses of high-speed chases and a driving hip-hop soundtrack, the movie defied expectations and sent studio executives scrambling to understand why this film about the illegal street-racing subculture had become a summer hit.īut the teen-oriented movie’s success isn’t so surprising when one glimpses the youthful crowds flocking to theaters such as the Cineplex Odeon at Universal CityWalk. 1 movie, with $40.1 million in ticket sales. Hollywood was stunned late last month when the youth-oriented action film “The Fast and the Furious” streaked past the competition to become the No. ![]() |
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